Movie Reviews
‘Just Breathe’: A Crime Thriller That Struggles to Find Its Pulse
First-time feature director Paul P. Pompa III brings an ambitious vision to the crime thriller genre with “Just Breathe,” but the execution falls short of matching that ambition. The film, which arrived on digital platforms and on-demand September 16th, presents a familiar story of redemption and second chances that unfortunately feels more labored than lived-in.
Kyle Gallner, known for his unsettling turns in “Smile” and the recent indie darling “Strange Darling,” takes on the role of Nick Bianco, a man wrestling with anger management issues after serving time for assault. Gallner brings his characteristic intensity to the role, though the script doesn’t provide him with the nuanced character development that would make Nick’s journey truly compelling. The supporting cast includes X-Men veteran Shawn Ashmore as Chester, the duplicitous parole officer, E’myri Crutchfield from “Fargo” as Nick’s estranged love interest Mel, and character actor William Forsythe (“The Devil’s Rejects”) as Nick’s equally volatile father, Tony.
The premise holds promise: Nick’s release from prison and his desperate attempt to rebuild his relationship with Mel becomes complicated when he discovers that Chester, his parole officer, has romantic designs on his former girlfriend. This setup echoes classic film noir territory, where personal and professional boundaries blur with dangerous consequences.
However, “Just Breathe” struggles with fundamental storytelling issues that prevent it from reaching its potential. The dialogue often feels stilted, and several plot developments strain credibility, particularly in the film’s final act. While Gallner does his best with the material, Nick’s character arc lacks the redemptive qualities that would make audiences invest in his success. Similarly, Ashmore appears to be working overtime to make Chester as unlikable as possible, though the role as written doesn’t require such theatrical villainy.
The film does manage to find its footing during a few quieter moments in the second act, where genuine emotion briefly surfaces between the characters. These scenes hint at what “Just Breathe” might have been with a more developed script and tighter direction. Unfortunately, these moments are fleeting, overshadowed by the film’s more problematic elements.
William Forsythe, a veteran of countless crime dramas and thrillers including Rob Zombie’s “The Devil’s Rejects” and Amazon’s “The Man in the High Castle,” feels underutilized here. His portrayal of Nick’s father suggests a more complex family dynamic that the script never fully explores. The film’s title suggests the therapeutic concept of taking a moment to breathe when anger threatens to overwhelm, yet the characters rarely seem capable of this simple act of self-control.
The technical aspects of the production are competent if unremarkable, with Pompa III showing enough visual competence to suggest future potential. “Just Breathe” represents the kind of ambitious independent filmmaking that deserves recognition for its effort, even when the final product doesn’t entirely succeed. Pompa III’s transition from business to filmmaking demonstrates the kind of career pivot that often leads to interesting artistic voices, and there are enough glimmers of potential here to suggest his future projects might better realize his vision.
For viewers drawn to crime thrillers featuring familiar faces in unfamiliar roles, “Just Breathe” offers a serviceable if forgettable viewing experience. While it doesn’t reach the heights of Gallner’s recent work in “Strange Darling” or make the most of its veteran supporting cast, it serves as a calling card for a director still finding his voice in the medium.
The film is a reminder that even talented actors can struggle when the script doesn’t provide them with a solid foundation. Kyle Gallner’s proven ability to inhabit complex, troubled characters deserves better material than what “Just Breathe” provides, though his commitment to the role remains evident throughout.
Available on digital platforms and on-demand, “Just Breathe” might find its audience among viewers looking for low-key crime drama, but it’s unlikely to leave a lasting impression in a crowded field of similar offerings.
Movie Reviews
THE ODYSSEY – Tragedy of Choppy Continuity
Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.
Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.
There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.
The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.
Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.
The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.

Movie Reviews
EVIL DEAD BURN – The Flames of Vengeance Burns Hotter
Directed by Sébastien Vaniček
Written by Sébastien Vaniček, Florent Bernard
Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey
Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.
Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.
The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.
To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.
Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning, Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.
The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

Movie Reviews
THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama
Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.
Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.
Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.
Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.
Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

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