Movie Reviews
THE SEEING EYE DOG WHO SAW TOO MUCH – A Fun Hidden Short Mystery Gem
A 1975 film by Enrico Januzzi The Seeing Eye Dog Who Saw Too Much has been exhumed by Eric Jackowitz who wrote, directed and stars as the Dog Scientist that brings a quirky invention to extract clues from the memory of the victim’s seeing eye dog to solve the mystery of the black-gloved killer at the Rome Symphony. The dog’s facial expression says it all… what the heck is happening here! It’s a short film that gives a fun classic experience that will keep you guessing through the laughs and exaggerated slashing to the whodunit murder mystery.
Jackowitz used the limited time effectively giving it a similar resemblance to a grownup version of a Scooby Doo episode, but with vintage cinematic style that blends sharp comedy with serious, dark themes, focusing on eccentric characters. This haunting film is all character driven with the intriguing, unusual suspects and victims compiling the pieces of the puzzle for the grand ruh-roh reveal.
The Seeing Eye Dog Who Saw Too Much had its world premiere at the 2026 SXSW Festival, and to no surprise it won the Audience Award. The small ensemble includes Ethan Edenburg (Maestro), Anna Garcia (Daria), Colton Eschief Mastro (Stelvio), Gabrielle Montes de Oca (Anne), Melissa Villaseñor (Cesar Salad Lady) and Tom Mcgovern (Angelo). Each actor was empowered to explore their roles freely, allowing them to immerse themselves in the joy of character creation making this an outrageously entertaining short film that I consider a fun hidden short mystery gem.

Movie Reviews
DEEP IN THE HEART 2: TEXAS RIVERS Prepare to be captivated by stunning cinematography and adorable wildlife, while gaining a profound respect for nature—a gift that is as unforgiving as it is beautiful.
Culminating after months of dedicated field filming, Ben Masters created this cinematic documentary representing the Texas major river basins and the importance of the vibrant wildlife thriving along the riverbanks. It is a journey that flows the pristine headwaters and threatened estuaries, revealing how they face an unprecedented balancing act.
Masters teamed up with Cinematographer Austin Alvarado and a visionary filmmaking team. The stunning footage captures a Texas landscape raw with survival and rich with life, where apex predators claim their territories, fight to endure, alongside unexpected moments of play and peaceful coexistence. Incredible footage reveals Texas weather at its worst, charting the devastation of its most severe tornadoes, hurricanes, and floods.
Texas native Ethan Hawke narrates the story of the diverse wildlife that calls these meandering riverbanks home, and the incredible influence of weather on the lands of the Lone Star State. His calm, reassuring voice mirrors the gentle pace of the river, creating a powerful contrast when he speaks with deep empathy about the devastation left by hurricanes and recent floods.
Credit belongs to the sound department at Stuck On On for crafting the film’s immersive audio experience. Their work beautifully highlights the intricate auditory scenery of Texas waterways, meticulously capturing the sounds of both terrestrial wildlife and delicate underwater ecosystems. Additionally, thanks to a stellar collaboration between composer and musicians. The Dallas Chamber Symphony recorded the original score by composer Noah Sorota, bringing an authentic Texas musical touch to the documentary. Sorota beautifully blends classical elegance with grassroots soul, evoking the vast spirit of the Texas wilderness and driving the film’s emotional narrative.
Deep in the Heart series is driven by a mission to unite Texans in safeguarding our remaining natural resources, wild landscapes and the wildlife that depends on them. To learn more about Texas land, water & wildlife conservation, you can visit their website: https://deepintheheartwildlife.com/
Watch my interview with the creators as we break down what went into making this majestic documentary!

Movie Reviews
ONE NIGHT ONLY Hysterically Sexy and Romantic
Directed by Will Gluck
Written by Travis Braun
Starring: Monica Barbaro, Callum Turner, Maya Hawke, Molly Ringwald, LeVar Burton
Synopsis: In a dystopian time when sexual contact is forbidden for single people but only allowed for married couples. However, singles are granted one day out of the year to gorge in sexual activities.
Will Gluck, known for his notable rom-com films Easy A and Friends with Benefits, concocted a new comedy satire using the recent mandate of no contact due to a worldwide spread virus as the basis of One Night Only. Gluck pairs endless humor about managing sexual tension during a ban on sexual intercourse for single people, and how they are faced with the challenges of building a monogamous long-term relationship.
Callum Turner applied his sexy humor and romantic attributes to his performance. Even though his accent was a bit muddled, credit is given for learning how to make a traditional New York pizza, while Monica Barbaro dazzled in her dress with her vocal skills to the 80s/90s music parody throwbacks.
The film expands its audience through epic blasts from the past cameos with New York City’s vibrant energy that serves as the perfect backdrop. The on-screen chemistry between Turner and Monica Barbaro was leveled, prioritizing the laughs over character progression.
Expect witty and flirtatious characters that blend in a deeply romantic heart. One Night Only is a lively movie that guarantees laughter for those looking for a fun night out with friends. Don’t forget the pizza!

Movie Reviews
THE ODYSSEY – Tragedy of Choppy Continuity
Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.
Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.
There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.
The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.
Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.
The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.

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