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Lord of the Rings: The War of the Rohirrim – Non spoiler Review

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Does The War of the Rohirrim live up to Peter Jacksons Lord of the Rings and The Hobbit? The answer is Yes and No. This film was made from a different point of view than its predecessors, one big indication is that is an anime. But also, it still connects to Peter Jacksons version of Middle Earth. How does this film connect to the original films though?


This story takes place 183 years before the events of The Fellowship of the Ring. We follow the main character that was specifically made for this story Hera, whom is not part of Tolkien’s writings, is the daughter of Helm Hammerhand, who is the Ninth king of Rohan. There is struggle of authority when Frecca shows up to Edoras and challenges Helm for the right to rule. The conflict that follows, moves the plot forward in a direction that fans may or may not agree with.


The first half of the story lives up to hype of the original films. We dive deeper into the lore and history of Rohan, the continuous anger towards the Kingdom of Gondor, and of the course battle that creates mayhem for Hera and her family. Hearing classic themes from Howard Shores score from the original films, takes us back to that first time we saw Edoras on screen!


The films pacing is questionable. After the end of the first half of film the pacing slows down. The second half of the film feels like a tv show, where each small story that occurs, ends like a tv show would. There are also certain scenes that contradict different parts of the original LOTR Trilogy. However Helm Hammerhand lives up to his name in the end. Brian Cox brought this Character to life in such a spectacular way, he is one of the best parts of the film!


Even though Hera’s character was made for this film, and not from any Tolkien lore, she still makes an impact on the future kingdom of Rohan. To the relationship with her father, and her involvement in the events in this story, rhyme with the character Éowyn which we first meet in The Two Towers. She’s headstrong and helps set the course of history of where we see Rohan in the future.


With all that being said it is a great addition to Peter Jacksons Middle Earth franchise. It shows the depth of loyalty and honor in King Theodens bloodline, and what sacrifices and consequences might happen as a leader. From exploring more of the lore of Rohan, seeing familiar locations, and familiar faces, this story is great on its own, but also adds an amazing backstory to one of the greatest kingdoms and bloodlines to Middle Earth. If you are fan of Lord of the Rings and want to feel nostalgic, this is the film for you. Go see The Lord of the rings: The War of the Rohirrim, in theaters now.


Colin's love of cinema and pop culture began as you might expect... a long time ago, in a galaxy far, far away... But in all seriousness, from Star Wars, Indiana Jones, Lord of the Rings, Back to the Future, Marvel, DC, Karate Kid, Harry Potter, Disney, and more, Colin loves it! Colin is also one of the founders of the Star Wars Stuff Podcast! Being part of that podcast led him down the path of prop/costume building as well.

Movie Reviews

THE ODYSSEY – Tragedy of Choppy Continuity

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Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.

Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.

There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.

The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.

Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.

The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.


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Movie Reviews

EVIL DEAD BURN – The Flames of Vengeance Burns Hotter

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Directed by Sébastien Vaniček

Written by Sébastien Vaniček, Florent Bernard

Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey

Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.  

Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.

The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.

To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.

Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning,  Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.

The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

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Movie Reviews

THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama

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Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.

Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.

Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.

Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.

Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

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