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The Intense Action Makes Up for a Convoluted Storyline in Kraven the Hunter (Review)

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The scenes were anticlimactic and resembled a Spider-Man sensation – instead being bitten by a spider and “with great power comes great responsibility”, Kraven is bitten by a lion and “power is about strength”. However, Russell Crowe’s rendition of a Russian crime lord and demanding father were menacing. For the most part, Aaron Taylor-Johnson held the movie together through wild animal style fighting scenes with a hint of dark sophisticated essence.

Early in the film, Kraven (Aaron Taylor-Johnson) demonstrates his superhuman strength in the prison scene, similar to another Marvel character Sabretooth from X-Men. During his escape, he finds himself locking eyes with a wolf in the midst of the snowstorm. The piercing stare gives the indication that Kraven has a spiritual connection with animals, which should be pleasing for animal enthusiasts. The flashback into the earlier years did not provide much background on the Russian crime lord Nikolai Kravinoff (Russell Crowe), merely that he is a demanding resentful father towards his sons Sergei “Kraven” (Levi Miller) and Dmitri (Billy Barratt). It seemed not much effort was placed in what should be an important key factor; when the young Sergei locks eyes with a ferocious lion, and the predictable outcome of how he obtained the animalistic superpowers from a magical potion given to him by a young Calypso Ezili (Diaana Babnicova), who undramatically runs to his rescue out of nowhere.

The scene abruptly cuts to present day; an adult Sergei, now Kraven, eliminates a poacher and his boss. This scene gives a boost of adrenaline, but quickly fades. The storyline gets muddled when Kraven teams up with adult Calypso (Ariana DeBose) to get justice on a list of corrupt individuals. The best action happens during the final scene – Kraven combating The Foreigner (Christopher Abbott) and Aleksei Sytsevich aka the Rhino (Alessandro Nivola). It gets intense with graphic action sequences – going back to the roots of Marvel Comics.

It was fun finding many Easter eggs connected to Spider-Man throughout the movie, from Kraven’s hallucinations with spiders to the mention of Miles Warren. The surprise twist revealing The Chameleon was a plus, better than watching Dmitri (Fred Hechinger) playing the piano and singing like Ed Sheeran.

Aaron Taylor-Johnson was good at delivering the grand image of Kraven. He does have the experience of playing a Marvel’s Avenger character, Pietro Maximoff – Quicksilver, under his belt. Although Kraven the Hunter did not have the elements of a successful Marvel film like Deadpool, it does have enough components to surpass Madam Web.

Sabrina "Kiddo" is a contributor of movie, television show and film festival reviews. Her passion for film derived from her college days where her rhetoric-writing professor focused on the aspects of screenwriting and music lyrics. She also has a knack for memorizing and repeating movie quotes and catchphrases.

Movie Reviews

THE ODYSSEY – Tragedy of Choppy Continuity

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Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.

Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.

There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.

The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.

Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.

The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.


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Movie Reviews

EVIL DEAD BURN – The Flames of Vengeance Burns Hotter

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Directed by Sébastien Vaniček

Written by Sébastien Vaniček, Florent Bernard

Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey

Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.  

Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.

The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.

To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.

Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning,  Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.

The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

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Movie Reviews

THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama

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Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.

Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.

Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.

Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.

Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

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