Movie Reviews
Mufasa: The Lion King Roars with Impressive Visual Effects
A nice tribute to beloved James Earl Jones is displayed before the movie begins, setting up the nostalgic tone. The screen then lights up with a majestic panorama of the “Pride Lands”. Director Barry Jenkins delivered a majestic vivid quality of live animation, which were absolutely stimulating on an IMAX screen. His style of imagery had wonderful depth perception of the rugged mountains, valleys, and waterfalls. Plenty of work went into the details of the animal characters – from their body movements, fur, mane, jaws and claws. The facial expressions on the animals were adorable, I just wanted to reach out and touch the screen.

The screenplay was well written but lacked creativity. It’s the typical story, told in flashbacks, about a pair of loners (Taka and Mufasa) that need each other in order to survive from Kiros and his clan of white lion outsiders. They make new friends along their way to the land of abundance, Milele. Mufasa (voiced by Aaron Pierre) learns what it takes to become a great leader – strong natural skills, conquering fears, and not being afraid to ask for help from others (animals). As for Taka (voiced by Kelvin Harrison Jr.), since he was raised by an egotistical father, his basic survival skills are weak. Taka considers Mufasa a brother but treats him more like a buddy. Tensions arise when Sarabi (Tiffany Boone) comes into the picture. The fate of these characters is foreseeable, but enough to keep me engaged to watch it unfold.

I wanted to see more of Timon and Pumba, but they were more of comedic support characters to Kiara (voiced by Blue Ivy Carter). They did tease us with a snippet rendition of “Hakuna Matata”. Seth Rogen was the perfect fit for Pumba’s character. It was interesting to see how Zazu (voiced by Preston Nyman) becomes part of the clan and always irritating others with his sarcastic humor. However, the real star of the show is Rafiki (voiced by John Kani). He plays a key role in Mufasa’s life. The best part was how Rafiki ends up with a walking stick. Another notable scene was how pride rock got formed. I was overcome with nostalgia.
Lin-Manuel Miranda, who wrote the majority of the songs, added a unique gospel hip-hop sound that brings out that wilderness passion. Miranda’s music always gives that special note to films. It was a relief to know that Blue Ivy Carter, Beyonce (Nala) and Donald Glover (Simba) did not take away from the movie. They were more like cameo voices. Although Mufasa: The Lion King was a bit longer that what it needed to be, it was overall enjoyable.
Movie Reviews
THE ODYSSEY – Tragedy of Choppy Continuity
Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.
Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.
There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.
The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.
Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.
The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.

Movie Reviews
EVIL DEAD BURN – The Flames of Vengeance Burns Hotter
Directed by Sébastien Vaniček
Written by Sébastien Vaniček, Florent Bernard
Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey
Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.
Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.
The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.
To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.
Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning, Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.
The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

Movie Reviews
THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama
Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.
Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.
Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.
Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.
Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

-
Interviews5 months ago
Alexa PenaVega and Daryl Sabara Reunite to Celebrate Spy Kids for the 25th Anniversary
-
Interviews4 months ago
Mamoudou Athie talks new thriller ‘Wardriver’ and ‘Black Box’ Memories with Phylicia Rashad
-
Movie Reviews3 months ago
Into the Unknown: Reviewing ‘From the Beyond: High Strangeness in the Bennington Triangle’
-
Interviews4 months ago
Director Vicky Jewson talks pirouettes and punches for her new film, ‘Pretty Lethal’ – Interview
-
Interviews4 months ago
Jake Manley and Francesca Reale talk ‘Do Not Enter’, on-screen chemistry, and behind-the-scenes – Interview
-
Contests5 months ago
Houston Residents: Win a pair of passes to the advance screening for ‘Project Hail Mary’
-
Movies3 months ago
See all new clips from ‘The Sheep Detectives’ movie starring Hugh Jackman
-
Movies3 months ago
See an all-new clip from the upcoming visceral horror film ‘Obsession’
