Movie Reviews
WEAPONS Hits the Ground Running as the Riveting Horror Movie of the Summer
It’s 2:17 in the morning, do you know where the children are? It is a mystery that will keep you on the edge of your seat. Weapons movie is about the disappearance of kids in the middle of the night, which they all happen to be students from the same classroom. However, only one little boy remains. The distraught parents are desperate for answers and turn the blame on the teacher.

Director, Writer Zach Cregger, known for his previous work Barbarian, created an intriguing film that is presented in segments based on the events from each character, leading up to a gruesome discovery. Cregger’s work on Weapons has a unique approach implementing a story within a story. Each scene meticulously lays out the background with details that are filled with bizarre occurrences, dark humor and plenty of jump-scares. He even throws in a tribute to Stephen King’s The Shinning with the door breaking ax scene. The use of Campbell soup and a vegetable/fruit peeler as props was brilliant. The most terrifying setting was the zombified children running into the night. The film ends with some cliff hangers that could imply a potential sequel.

Juila Garner has definitely earned the title of scream queen in her lead role as Justine, the teacher of the missing children. Josh Brolin adds in the brains and the brawn to his character Archer, father of one of the kids that vanished, and also unravels the 2:17 time reference.

Alden Ehrenreich and Austin Abrams might have one of the craziest scenes. Ehrenreich portrays Officer Paul that gets agitated with a homeless drug addict James, played by Abrams. The interaction with these two is pure dark satire.
Climbing up his way in the movie world is Cary Christopher, who takes on the role of Alex, the only boy that did not vanish unlike his classmates. Christopher can effectively peek your curiosity. Amy Madigan was exceptional as Gladys, Alex’s supposed aunt who is actually a witch preying off the energy of children to preserve her life. Madigan can make the hairs on the back of your neck stand up. Shout out to the make-up crew for the incredible effect!

Another notable performance was Benedict Wong, as the school principal Marcus. It was quite hilarious seeing him running around as a zombie wearing a famous cartoon mouse t-shirt. There was also a special appearance of Justin Long who was also in Cregger’s film Barbarian.
This remarkable cast makes this horror film one of the best. Cregger turned 2025 summer of fun into a summer of terror.

Movie Reviews
THE ODYSSEY – Tragedy of Choppy Continuity
Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.
Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.
There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.
The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.
Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.
The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.

Movie Reviews
EVIL DEAD BURN – The Flames of Vengeance Burns Hotter
Directed by Sébastien Vaniček
Written by Sébastien Vaniček, Florent Bernard
Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey
Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.
Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.
The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.
To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.
Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning, Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.
The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

Movie Reviews
THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama
Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.
Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.
Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.
Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.
Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

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