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‘Mickey 17’…. not the Bong Hit I was expecting

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Expectations are sky high this weekend for Mickey 17 written and directed by multiple Oscar and Palme d’Or winning director Bong Joon-ho for his masterpiece “Parasite.” I am here to tell you to NOT lower your expectations but modify them and don’t make the classic mistake I made and many out there will also make! Luckily, I am here to set your expectations properly!

Mickey 17 is a Sci-fi dark comedy and the trailers do elude to this fact but if you went in blind/forgot what’s in trailer like myself it’s a bit of a shock and also refreshing. Bong Joon-ho does reference in interviews he was inspired by the John Carpenter film THE THING and many other very subtle nods to other Sci-fi/fantasy films also have a presence.

Bong Joon-ho’s direction and storytelling are solid without getting preachy about the absurdity of humanity that is on full display and unfortunately very relatable at this point in time. The story does feel very timely with an amazing coincidence involving an assassination attempt! The CGI is top notch with a film budget of $118 million. Creature design is also done very well with plushies created as seen on Bongs appearance on the Late Show with Stephen Colbert.

The Sci-fi in this film may become Sci-non fiction in the very near future with space travel and the advances in 3D printing which gives the film a more grounded feel in comparison to older films in the genre.

Politics and religion are touched on in the universe of Mickey 17 in a comedic but sometimes all to frighteningly realistic way.

Robert Pattinson’s (Mickey 17) acting performance is arguably his best yet! From his voice change to having to act against himself in the film is just flawless and proves he is a top tier talent and one of the best actors working today! I really love how Pattinson is seeking out and working with the best directors of the era!

Naomi Ackie (Nasha) also shines in her fearless co-starring role proving she is up to the task against her co-star Pattinson. I really liked Bong Joon-ho’s direction and character type in that she plays against type in way.

Mark Ruffalo (Kenneth Marshall) almost steals the show by managing not to totally chew all the scenery as a dictator who if you follow Ruffalo in real life you know this was a role he knew he could emulate errr play.

Toni Collette (Ylfa) who is one of our most underrated and under awarded actresses gives a disturbing performance as Kenneth Marshall’s deranged and psychopathic wife.

Steven Yeun (Timo) is cast against his usual audience loving portrayal we usually associate him with. He plays a horrible friend well but surprisingly sparingly in the film.

All in all if you are a fan of Robert Pattinson, Bong, or any of the actors above, a SCI-FI fan, or a completionist you should check this film out in theaters March 7th.

Movie Reviews

THE ODYSSEY – Tragedy of Choppy Continuity

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Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.

Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.

There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.

The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.

Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.

The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.


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Movie Reviews

EVIL DEAD BURN – The Flames of Vengeance Burns Hotter

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Directed by Sébastien Vaniček

Written by Sébastien Vaniček, Florent Bernard

Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey

Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.  

Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.

The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.

To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.

Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning,  Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.

The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

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Movie Reviews

THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama

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Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.

Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.

Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.

Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.

Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

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