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‘Scrap’ Prevails the Struggles of Life – Review

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Vivian Kerr’s first directorial debut film Scrap is a touching, heartfelt drama about adult siblings struggling with their personal issues and overcoming long term emotional pain from the loss of their parents after a tragic plane crash that occurred when they were young. Kerr also wrote the screenplay and plays the role of Beth, a recently laid off executive professional that refuses to come to terms that she will no longer be able to afford her lavish lifestyle and support her five year old daughter Birdy.

In the opening scene we see Beth waking up inside her car in fancy pajamas. This suggests she is at the brink of homelessness. Beth has to get ready for a job interview and finds a clever way to freshen up and look polished with her designer clothes and shoes. Sadly, she does not get the position. In a phone call with her brother Ben (Anthony Rapp), Beth makes up an excuse that her “out of town business meeting” was longer than anticipated and was not able to pick up Birdy. We then learn that her daughter Birdy has been staying with Ben and Stacy (Lana Parrilla), while she sleeps in her car and goes job hunting.

Ben is a successful fantasy novel writer who is married to Stacy, a stressed out lawyer that is going through in vitro fertilization. The tension between the siblings and Stacy is noticeable. Beth’s erratic behavior is nothing new and uses Ben as a financial security net. Ben allows Beth to take advantage of him, because he feels responsible to take care of her and his niece.

Still in denial about needing to let go of her upscale way of life, Beth has the audacity to continue spending money by shopping online. Ben and Stacy are livid as the unnecessary stress is interfering with them trying to make a family of their own. To make matters more tense, Ben struggles to be heard by his publisher. He wants to step away from writing fantasy novels and wants to pursue his passion writing a non-fiction book about Billie Holiday.

Beth spends the day with Ben reminiscing their youth. They stop to visit their childhood home to show Birdy where they were raised. To their disappointment the house was demolished, and an empty lot is all that remains. This scene was so touching. I really wanted them to share a happy moment, because I know Beth really needed something good to help uplift her out of a mental rut. Like a slap in the face, Beth spirals out of control; from maxing out her credit cards, getting her car towed, missing her daughter’s recital, to returning with her ex Joshua – father of Birdy. Beth’s conduct even takes a toll on Ben and Stacy’s marriage.

Through all the turmoil and drama, the story comes to a pivotal point when Joshua gives Beth a ride to Ben’s house. They begin to argue, and Beth realizes that Joshua’s toxic personality is only causing more destruction to her and Birdy. Ben sees the altercation from the doorway and jumps into to action to save Beth from Joshua. From this moment forward, Beth reconciles with Ben and Stacy. Just like an empty lot, Beth rebuilds her life from the ground up. She is hired as a cosmetic salesperson and finds a suitable apartment for her and Birdy. As for Ben, he takes control of his career and decides to write a book about Billie Holiday. He deems it as no more hiding his personal struggles behind the lies of fantasy.

Scrap has amazing relatable characters that the audience can empathize with, especially those that have siblings. Anthony Rapp is a natural in displaying Ben’s guilt from having to take on the role of a father at such a young age after the death of their parents. Rapp deeply connected to the viewers that you are bound to feel sympathy for Ben. Vivian Kerr did an outstanding performance representing Beth as a strong competitive, arrogant pompous that does not settle for subpar, which included not being interested in going out with Marcus (Khleo Thomas) who works at a roller-skating rink.

Vivian Kerr delivered an exceptional performance with an elevating screenplay and film production. Scrap gives a hopeful outlook for overcoming life’s downfalls. It is a manifestation how happiness and success are possible when you liberate yourself from a tragic past. This is absolutely a must see inspiring movie.


Sabrina "Kiddo" is a contributor of movie, television show and film festival reviews. Her passion for film derived from her college days where her rhetoric-writing professor focused on the aspects of screenwriting and music lyrics. She also has a knack for memorizing and repeating movie quotes and catchphrases.

Movie Reviews

THE ODYSSEY – Tragedy of Choppy Continuity

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Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.

Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.

There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.

The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.

Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.

The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.


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Movie Reviews

EVIL DEAD BURN – The Flames of Vengeance Burns Hotter

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Directed by Sébastien Vaniček

Written by Sébastien Vaniček, Florent Bernard

Starring: Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, Maude Davey

Synopsis: Following her husband’s death, a woman turns to her in-laws for consolation at their secluded family home. She discovers the family has been possessed by an ancient demonic spirit that converts them into Deadites and learns that their wedding vows extend beyond the grave.  

Spawning from the Evil Dead series, Evil Dead Burn is the sixth film to arise from the generational curse that continues to haunt the Williams’ bloodline. Through a brave thematic lens, screenwriters Sébastien Vaniček and Florent Bernard utilize the narrative framework examining the psychological fortitude required to resist domestic abuse and rebuild a self-determined life. Blending this heavy theme with horror filmmaking hooks the audience and keeps the iconic franchise vastly relevant. It’s the flames of vengeance that burns hotter.

The performances by Souheila Yacoub and Hunter Doohan, unfortunately, cooled down the film – it felt simmered without ever reaching a boiling point. The overall cast struggled to carry the weight of the plot and relied on scenes with the shock factor to provide narrative momentum. My expectations were high for Yacoub and Doohan, given their track records in major hit movies and TV shows.

To pick up the heat, the film delivers numerous intense, ooey gooey, blood splattering scenes that showcase highly creative thriller concepts. Though at times, the film pushes the gore to ridiculous extremes to the point that it diminishes the overall ability to sustain genuine dread.

Since it’s a Warner Brothers’ production, they catered to their fanbase by keeping the seats warm with several sequences of intentional throwbacks and flashbacks referencing their classic horror catalog: Friday the 13th, The Exorcist , The Shinning,  Poltergeist, and my personal favorite, Gremlins – Mrs. Deagle’s remote staircase chair. Surely there are more, but these were the clear highlights for me.

The storyline’s undertone of Evil Dead Burn has the heat and is acceptable on a baseline level, but it lacks the magnetic screen presence and energy vortex that drives the best genre cinema.

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Movie Reviews

THE DEATH OF ROBIN HOOD – A Silently Powerful Deep, Dark Drama

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Written, Directed by Michael Sarnoski
Starring: Hugh Jackman (Robin Hood), Jodie Comer (Sister Brigid), Bill Skarsgård (Edward/Little John), Murray Bartlett (The Leper), Noah Jupe (Arthur)
Synopsis: A rugged, guilt stricken aged Robin Hood emerges from exile after being severely wounded, finding sanctuary and forming an unlikely companionship inside a secluded monastery.

Michael Sarnoski transformed one of the oldest existing tales, Robin Hood’s Death, into a grim and somber film that leans on visual storytelling over spoken dialogue to convey its deep emotional weight. The Death of Robin Hood is an interesting story that gradually crescendos to its peak. The narrative follows a man tormented by his past actions, caught in a paralyzing cycle of regret and bitterness that hardens him into a harsh, resentful figure.

Those expecting the high-energy action from Hugh Jackman’s typical roles will be disappointed and perplexed with scenes that linger and feeling empty. The minimal action does have a maximum impact. By stripping away unnecessary dialogue, the film creates a direct pipeline to the character’s innermost thoughts. Alternatively, the dramatic perspective of Robin Hood simmers on the process of the dark haunting themes reflective within its visual aesthetics.

Hugh Jackman is extremely versatile with his approach on his role giving internal conflict and grittiness to Robin Hood. This is truly one of his most exceptional performances, perfectly displaying his incredible capabilities. All the while, his co-stars Bill Skarsgård, Murray Bartlett, Noah Jupe and Jodie Comer brought out an immensely profound emotional depth to their respective characters. The impressive, talented cast are the heart and soul of the picture, making it silently powerful.

Despite its slow tempo, if you appreciate the English folklore, the obscure melodramatic tale of The Death of Robin Hood is worth a watch.

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