Horror fans! IT FEEDS is now out in theaters and VOD and writer/director Chad Archibald discusses with us where his personal inspiration for the story came from, how great it was to work with Ashley Greene, and why you should see it as soon as possible.

Synopsis: It Feeds tells the harrowing story of a young girl who insists that a malevolent entity is feeding on her. Ashley Greene portrays a clairvoyant therapist who must confront her own personal demons to save the girl before she is consumed completely. Shawn Ashmore takes on the role of the anguished father, desperately struggling to protect his daughter.

Jason Butler Harner (The Walking Dead, The Handmaids Tale) sat down with Ted aka Steady to discuss his new film out on VOD, THE BIG BEND. Hear about the challenges he and the crew faced while shooting during the summer in west Texas, how the environment dictates when you work and which climate is more brutal…Texas or Georgia during the summer months.

For more information on where you can see the movie visit the film’s website here: THE BIG BEND.

Currently standing at 100% on Rotten Tomatoes, THE BIG BEND is written and directed by Brett Wagner and stars Harner alongside Virginia Kull (BIG LITTLE LIES), David Sullivan (ARGO), and the late Erica Ash (OUTLAW JOHNNY BLACK).

Synopsis: Two families meet for a long overdue reunion in the remote West Texas desert—where events quickly don’t go as planned. Harboring secrets and facing private crises, they explore one of the wildest places in America, testing the boundaries of marriage, friendship, and parenthood, and doing their best to survive the experience.

Jason Butler Harner Bio: 

JASON BUTLER HARNER made his feature film debut in Clint Eastwood’s Oscar nominated CHANGELING (with Angelina Jolie). With a wide variety of roles and mediums, independent film has been a constant passion and priority. THE BIG BEND is, without question, one of the most remarkable, shooting in the height of summer in the far-off-the-grid Big Bend of Texas, atop a cliff.

Recent indies of note also include EDGE OF EVERYTHING (SBIFF Winner) and the Oscar shortlisted THE ANNE FRANK GIFT SHOP, in which he stars and co-produced. In addition to memorable work on SCANDAL, RAY DONOVAN, HOMELAND, HIGH MAINTENANCE, and ALACTRAZ, recent screen work includes SUGAR (with Colin Farrell), MONSTERS: THE LYLE AND ERIK MENENDEZ STORY, RABBIT HOLE (opposite Kiefer Sutherland), THE HANDMAIDS TALE, as well as his much-lauded turn as Agent Roy Petty on the Netflix hit OZARK. Harner has performed on and off-Broadway, on London’s West End, and across the country in an array of classics, groundbreaking revivals, and world premieres.

On Broadway, he’s appeared in Tom Stoppard’s landmark trilogy and Tony Award winning THE COAST OF UTOPIA, as well as THE CRUCIBLE (with Saoirse Ronan and Ben Whishaw), and most recently opposite Janet McTeer in BERNHARDT/HAMLET. He won an Obie Award for Ivo VonHove’s HEDDA GABLER and has multiple Drama Desk nominations. Other notable stage productions include THE VILLAGE BIKE (opposite Greta Gerwig), THROUGH A GLASS DARKLY (opposite Carey Mulligan), THE CHERRY ORCHARD (Mark Taper Forum with Annette Bening and Sarah Paulson), THE GLASS MENAGERIE (opposite Sally Field), HAMLET, and Mike Bartlett’s hilariously moving COCK (opposite Corey Michael Smith). He holds an MFA from NYU’s acclaimed Graduate Acting Program and currently resides in Los Angeles with his phenomenal dog Toupeé.

Releasing today in select theaters and Apple TV is LIFELINE, a gripping mystery thriller about a Lifeline operator who receives the most unexpected call he could’ve imagined. The film deals with some heavy themes, captures the gravity of what it must be like to work as a hotline crisis counselor, and you will never guess how the film ends. See my interview with director Feras Alfuqaha and checkout LIFELINE today.

Official Film Synopsis:

A late-night suicide hotline operator receives a disturbing call from someone claiming to be him, knowing personal details only he would know. The caller threatens to end his life within the hour, forcing the operator into a tense, emotional race against time. As the clock ticks down, he must confront his deepest fears and uncover the truth before it’s too late to save “himself”.