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“Moana 2” Brings Oceanic Waves with New Characters and a New Voyage

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Three years later after returning the heart to Te Fiti, Moana (Auliʻi Cravalho) is seen exploring a deserted island and discovers an artifact indicating the island was inhabited. She sails back to Motunui to share her findings with her family and island community. At the celebration, she gets a calling from her wayfinding ancestors and learns that she must go on a quest to find the hidden island of Motufetu, which is believed to be the connection to other communities across the Oceania. This is the only option that will help preserve and continue their bloodline, otherwise their tribe will fade into nonexistence.

We see new characters that have particular useful skills and become part of Moana’s crew. Together, they prepare for the dangerous voyage in search for Motufetu. Yes, HeiHei (Alan Tudyk) and this time Pua join in on the excitement. The adventure gets hysterical when Moana and crew encounter the Kakamora – the coconut pirates. I love these guys, the minions of the sea! With the help of Moni (a storyteller), he was able to translate the Kakamora’s banging chest and tribal drums language. They come to understand the Kakamora have been sailing the ocean longing to find their homeland. It was thrilling to see Kotu unite with Moana in search for the lost mysterious island. Finally, Maui (Dwayne Johnson) makes an appearance in his mischievous ways, stuck in a bind with a mysterious “bat lady”, Matangi (Awhimai Fraser). Not much is revealed about Matangi – Goddess of Wind, just that she’s an enslaved demigod under Nalo, and has a connection to bats. She also has a threatening demeanor. Matangi sends Moana, Maui and crew through the portal to face Nalo, the powerful God of Storms, who deliberately keeps humans divided for he fears their powers when they are united. Moana realizes the best way to defeat Nalo, and to lift up the lost island Motufetu, is with strong teamwork, creative thinking, sacrifice, and with a little help from her spiritual ancestors.

Moana 2 has a good storyline with some exciting action and stunning animation. However, it went overboard with the flatulence humor and projectile regurgitation. The songs were fun and rhythmic – Maui (Johnson) performing “Can I Get a Chee Hoo?!” sounded a bit like Busta Rhymes with a similar saxophonist dance move scene from 1987 vampire movie The Lost Boys. I wonder if that was a connection to the “bat lady” Matangi.

Moana 2 did not have a strong enough wave impact as the first movie, but I do believe it will be used to bridge over a connection to a potential Moana 3. Stay for the post credits. More is revealed about Matangi who is still enslaved under Nalo’s control, and is in talks with him to perhaps assist in his revenge on Moana. Meanwhile, a familiar devious crustacean happens to be eavesdropping.

Sabrina "Kiddo" is a contributor of movie, television show and film festival reviews. Her passion for film derived from her college days where her rhetoric-writing professor focused on the aspects of screenwriting and music lyrics. She also has a knack for memorizing and repeating movie quotes and catchphrases.

Movie Reviews

DEEP IN THE HEART 2: TEXAS RIVERS Prepare to be captivated by stunning cinematography and adorable wildlife, while gaining a profound respect for nature—a gift that is as unforgiving as it is beautiful.

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Culminating after months of dedicated field filming, Ben Masters created this cinematic documentary representing the Texas major river basins and the importance of the vibrant wildlife thriving along the riverbanks. It is a journey that flows the pristine headwaters and threatened estuaries, revealing how they face an unprecedented balancing act.

Masters teamed up with Cinematographer Austin Alvarado and a visionary filmmaking team. The stunning footage captures a Texas landscape raw with survival and rich with life, where apex predators claim their territories, fight to endure, alongside unexpected moments of play and peaceful coexistence. Incredible footage reveals Texas weather at its worst, charting the devastation of its most severe tornadoes, hurricanes, and floods.

Texas native Ethan Hawke narrates the story of the diverse wildlife that calls these meandering riverbanks home, and the incredible influence of weather on the lands of the Lone Star State. His calm, reassuring voice mirrors the gentle pace of the river, creating a powerful contrast when he speaks with deep empathy about the devastation left by hurricanes and recent floods.

Credit belongs to the sound department at Stuck On On for crafting the film’s immersive audio experience. Their work beautifully highlights the intricate auditory scenery of Texas waterways, meticulously capturing the sounds of both terrestrial wildlife and delicate underwater ecosystems. Additionally, thanks to a stellar collaboration between composer and musicians. The Dallas Chamber Symphony recorded the original score by composer Noah Sorota, bringing an authentic Texas musical touch to the documentary. Sorota beautifully blends classical elegance with grassroots soul, evoking the vast spirit of the Texas wilderness and driving the film’s emotional narrative.

Deep in the Heart series is driven by a mission to unite Texans in safeguarding our remaining natural resources, wild landscapes and the wildlife that depends on them. To learn more about Texas land, water & wildlife conservation, you can visit their website:  https://deepintheheartwildlife.com/

Watch my interview with the creators as we break down what went into making this majestic documentary!


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Movie Reviews

ONE NIGHT ONLY Hysterically Sexy and Romantic

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Directed by Will Gluck
Written by Travis Braun
Starring: Monica Barbaro, Callum Turner, Maya Hawke, Molly Ringwald, LeVar Burton

Synopsis: In a dystopian time when sexual contact is forbidden for single people but only allowed for married couples. However, singles are granted one day out of the year to gorge in sexual activities.

Will Gluck, known for his notable rom-com films Easy A and Friends with Benefits, concocted a new comedy satire using the recent mandate of no contact due to a worldwide spread virus as the basis of One Night Only. Gluck pairs endless humor about managing sexual tension during a ban on sexual intercourse for single people, and how they are faced with the challenges of building a monogamous long-term relationship.

Callum Turner applied his sexy humor and romantic attributes to his performance. Even though his accent was a bit muddled, credit is given for learning how to make a traditional New York pizza, while Monica Barbaro dazzled in her dress with her vocal skills to the 80s/90s music parody throwbacks.

The film expands its audience through epic blasts from the past cameos with New York City’s vibrant energy that serves as the perfect backdrop. The on-screen chemistry between Turner and Monica Barbaro was leveled, prioritizing the laughs over character progression.
Expect witty and flirtatious characters that blend in a deeply romantic heart. One Night Only is a lively movie that guarantees laughter for those looking for a fun night out with friends. Don’t forget the pizza!

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Movie Reviews

THE ODYSSEY – Tragedy of Choppy Continuity

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Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.

Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.

There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.

The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.

Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.

The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.


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