Movie Reviews
PREDATOR BADLANDS $40M OPENING WEEKEND SETS FRANCHISE RECORD!
Dan Trachtenberg is now 3 for 3 directing PREDATOR films starting with PREY, Killer of Killers (both on HULU) and the #1 box office film capturing a franchise opening weekend record of $40 million for PREDATOR: BADLANDS.

If you were somehow on the fence after the high scores from critics and audiences all over the internet, don’t be. I have seen it twice now with the 2nd screening better than the first which is usually the mark of a really good to great film.

Lets talk about my pros.
Dan Trachtenberg – It all starts with him from his years of fandom for the PREDATOR franchise and now intensive involvement in the franchise along with obvious talent for directing which undoubtedly the most instrumental factor in making BADLANDS a critical and audience success.
IDEA/STORY – A truly fresh and bold idea taking the YAUTJA PREDATOR character from antagonist to protagonist with established connective tissue and generally familiar lore. Weyland-Yutani involvement was not part of the original inception but was an added element enriching the story which works on several levels. The film is rated PG-13 due to the interesting technicality no humans were harmed on screen but with all the limb dismemberment, decapitations, classic vibrant green blood you expect when watching a PREDATOR film. Dan Trachtenberg explained at San Diego Comic-Con how he was inspired by the Chewie wearing Threepio on his back dynamic at the end of The Empire Strikes Back. In recent interviews Dan has talked much about video games like Shadow of the Colossus, Uncharted, God of War and many more he thinks made it into the film via his subconscious.
Casting – Elle Fanning shines and impresses in dual roles highlighting the young actresses range who was cast specifically by Dan Trachtenberg after consuming a podcast Elle was featured on. Dimitrius Schuster-Koloamatangi performance as the lead “Dek” the Yautja is pitch perfect with the intensity and physicality performed practically in a challenging full body suit.


Special Effects/CGI – Watching the first trailer the CGI was definetly noticable and a bit distracting however in film works. Not sure if there was another once over or several to clean up the effects but the CGI was upgraded for the film it seemed. There was no practical PREDATOR mask, the face and mandibles were all near perfect if not perfect in CGI facial creation.

ACTION – We get the action and character vs. character moments that we all want to see. There were creatures galore highlighting the constant danger on YAUTJA PRIME and the death planet GENNA. A nice balance was struck between the actual story and all out video game styled action that traditionally does not work as well as it does in this film. The weaponry of the YAUTJAs are very distinct, defined in past PREDATOR films, and is interwoven expertly in story.

Cons
Incredibly there are no real big cons for this film other than a nitpick or two here and there and personal preference stuff like maybe spending more time on YAUTJA PRIME with the PREDATORS and seeing more of that planet. My first viewing was on IMAX and a standard screen and the films brightness could of been increased and there was an out of focus effect on the edges that I wasn’t sure was an artistic choice or a projector issue. The score for me did not stand out maybe due to the visuals occupying my thoughts and subtitle reading but I have heard a couple of reviewers say they liked the score. The one thing I hear the most is the comedy which for me was pitch perfect and not over the top or too much for my taste. There is no direct BADLANDS video game for next gen consoles! There are fortnite and Call of Duty tie-ins, however.
GO SEE THIS FILM ON THE BIGGEST SCREEN POSSIBLE!
Support Dan, Elle, Dimitrius, Weta and show we want more stuff like this!

Movie Reviews
DEEP IN THE HEART 2: TEXAS RIVERS Prepare to be captivated by stunning cinematography and adorable wildlife, while gaining a profound respect for nature—a gift that is as unforgiving as it is beautiful.
Culminating after months of dedicated field filming, Ben Masters created this cinematic documentary representing the Texas major river basins and the importance of the vibrant wildlife thriving along the riverbanks. It is a journey that flows the pristine headwaters and threatened estuaries, revealing how they face an unprecedented balancing act.
Masters teamed up with Cinematographer Austin Alvarado and a visionary filmmaking team. The stunning footage captures a Texas landscape raw with survival and rich with life, where apex predators claim their territories, fight to endure, alongside unexpected moments of play and peaceful coexistence. Incredible footage reveals Texas weather at its worst, charting the devastation of its most severe tornadoes, hurricanes, and floods.
Texas native Ethan Hawke narrates the story of the diverse wildlife that calls these meandering riverbanks home, and the incredible influence of weather on the lands of the Lone Star State. His calm, reassuring voice mirrors the gentle pace of the river, creating a powerful contrast when he speaks with deep empathy about the devastation left by hurricanes and recent floods.
Credit belongs to the sound department at Stuck On On for crafting the film’s immersive audio experience. Their work beautifully highlights the intricate auditory scenery of Texas waterways, meticulously capturing the sounds of both terrestrial wildlife and delicate underwater ecosystems. Additionally, thanks to a stellar collaboration between composer and musicians. The Dallas Chamber Symphony recorded the original score by composer Noah Sorota, bringing an authentic Texas musical touch to the documentary. Sorota beautifully blends classical elegance with grassroots soul, evoking the vast spirit of the Texas wilderness and driving the film’s emotional narrative.
Deep in the Heart series is driven by a mission to unite Texans in safeguarding our remaining natural resources, wild landscapes and the wildlife that depends on them. To learn more about Texas land, water & wildlife conservation, you can visit their website: https://deepintheheartwildlife.com/
Watch my interview with the creators as we break down what went into making this majestic documentary!

Movie Reviews
ONE NIGHT ONLY Hysterically Sexy and Romantic
Directed by Will Gluck
Written by Travis Braun
Starring: Monica Barbaro, Callum Turner, Maya Hawke, Molly Ringwald, LeVar Burton
Synopsis: In a dystopian time when sexual contact is forbidden for single people but only allowed for married couples. However, singles are granted one day out of the year to gorge in sexual activities.
Will Gluck, known for his notable rom-com films Easy A and Friends with Benefits, concocted a new comedy satire using the recent mandate of no contact due to a worldwide spread virus as the basis of One Night Only. Gluck pairs endless humor about managing sexual tension during a ban on sexual intercourse for single people, and how they are faced with the challenges of building a monogamous long-term relationship.
Callum Turner applied his sexy humor and romantic attributes to his performance. Even though his accent was a bit muddled, credit is given for learning how to make a traditional New York pizza, while Monica Barbaro dazzled in her dress with her vocal skills to the 80s/90s music parody throwbacks.
The film expands its audience through epic blasts from the past cameos with New York City’s vibrant energy that serves as the perfect backdrop. The on-screen chemistry between Turner and Monica Barbaro was leveled, prioritizing the laughs over character progression.
Expect witty and flirtatious characters that blend in a deeply romantic heart. One Night Only is a lively movie that guarantees laughter for those looking for a fun night out with friends. Don’t forget the pizza!

Movie Reviews
THE ODYSSEY – Tragedy of Choppy Continuity
Written/Directed by Christopher Nolan
Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya Charlize Theron, Samantha Morton, Jon Bernthal
Synopsis: Following the Trojan War, Odysseus, the legendary Greek king of Ithaca, recounts his grievous quest encountering mythical beings – the Cyclops, Polyphemus, Sirens and the nymph Calypso – while attempting to reunite with his wife, Penelope.
Christopher Nolan, known for winning two Academy Awards (Best Director and Best Picture) for Oppenheimer (2023) among his other popular works, Interstellar (2014) and The Dark Knight Trilogy, took the risk of filming his new movie The Odyssey in IMAX format. What might have been a good idea in the early stages of the process, this approach has its detriments that affected his creative outcome. Due to the limited filming material, each scene is captured in 2-3 minute increments. This method of cinematography did not allow for the actors to breathe and unfold their characters – making the movie a patchwork collection of disjointed scenes.
There are many diversions from the narrative by placing focus on the majestic, beautiful scenery, Greek structures and the Trojan horse that is in a nontraditional pose from being on all fours. Between Matt Damon’s narration and the dialogue-free scenes, it felt like watching a National Geographic documentary—filled with sweeping views of rugged waves upon the sea, rocky hills, and rich historical backdrops.
The all-star ensemble, many who have worked on Nolan’s previous box office hits, appeared uncomfortable and rushed to regurgitate their lines rather than inhabiting their roles. This could be the result from the filmmaking style approach – not allowing space for character expansion and falling short of expectations.
Anne Hathaway and Tom Holland carried brief solid performances, though their appearance ultimately was less of a memorable impact. However, from the entire cast, there are only two standouts which came from Samantha Morton and Robert Pattinson, both of whom fully understood their roles and delivered exceptionally well. They elevated the material despite the constraining production design.
The peak of this lengthy film arrives in the final last moments—a masterclass in pure, dialogue-free action. Is it worth the 3 hour wait for an explosive finale? No, not really. The Odyssey is the Cliff Notes version of the legendary Greek tale. The production lacked narrative depth, resulting in an incomplete experience.

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