Movie Reviews
‘Mission: Impossible – The Final Reckoning’ delivers high velocity, high energy action.
The “Mission: Impossible” franchise comes to full circle in the eighth and final installment with “Mission: Impossible – The Final Reckoning“. Although it might not be the greatest in its series, the death defying stunts by Tom Cruise makes it worth the watch. With a hefty budget of over $300 million, “The Final Reckoning” has become one of the most expensive films ever made.

The “Mission: Impossible” theme stays on track with the inevitable sacrifice and precision timing. The IMF are rattled by a powerful artificial intelligence known as the Entity, which challenges humanity into nuclear destruction and it’s up to Ethan Hunt to accept this impossible mission to save the world.
In a compilation of flashbacks and simultaneous present day scenes, the clues are revealed which adequately ties everything together. The story surprisingly brings back CIA Analyst William Donloe (Rolf Saxon). It was also nostalgic to see the remembrances of characters/actors from the previous missions like Henry Cavil as August Walker and Jeremy Renner as William Brandt.


“Mission: Impossible – The Final Reckoning”, is has plenty of breathtaking action and subtle scenes that resemble scenarios to “Top Gun”, like Hannah Waddingham’s character Rear Admiral Neely having a striking appearance to Kelly McGillis’s character Charlie. Even towards the end of the film there was a similar scenario to “Pulp Fiction” – possible nod to Ving Rhames’s character Marsellus Wallace and his briefcase that radiated a golden hue when opened.


Since the film’s focal point is time, the underwater and biplane stunt sequences indeed took up much of it – no aspect was overlooked. During a Q&A after the screening, Storyboard Artist Mark Bristol explained the details that went into creating the vision for these high-octane moments. It was fascinating to learn about his experience working with Director Christopher McQuarrie, the writers and Tom Cruise to understand their vision to create the illustrations that serve as a visual guide for the production team.

Interviews
‘The Unexpecteds’ – A well balanced comedy with an endearing cast.
When a group of friends discover they were scammed into a frivolous investment, they band together to recoup their money with the help of a special force agent, who happens to be the estranged father of one of their friends. The Unexpecteds is a well balanced comedy that hits every punchline with a cast that has heart. It inspires hope and redefines what it means to be a supportive father, mother and friend. Believers are not schlubs.
I had a chance to meet up with Alejandro Montoya Marín, the director and writer of the comedy – action film The Unexpecteds. Marín discussed how he came up with the storyline, and the influences that helped him develop the characters. Joining in the conversation were cast members Chelsea Rendon (Pati), John Kaler (Metal Mike), and Alejandro De Hoyos (Felipe Fuscas), who is also a producer of the film. Marín and De Hoyos also recount about how Kevin Smith got involved as an executive producer, which is truly captivating.
The Unexpecteds is available to purchase or rent on Prime Video and Apple TV.

Movie Reviews
HOUSE OF ABRAHAM – A Brilliantly Written Psychological Thriller (Review)
When Dee is looking for a solution to her grief, she checks in to the Abraham’s spiritual retreat – a home to a mysterious cult that assures an exit to anyone’s sorrow. She soon realizes that this handsome charismatic cult leader, Abraham, has a twisted appetite for death and preys upon the vulnerable. Directed by Lisa Belcher and written by Lukas Hassel, House of Abraham is a brilliantly written thriller with many unexpected plot twists.

Hassel turned a sensitive topic into an artful psychological crime film that involves a sociopath who manipulates those who are susceptible to gratify his sinister intentions. Hassel’s talent can be seen in his screenwriting that does a fine depiction of narcissism, psychopathy, along with charismatic qualities that enable a cult leader to manipulate and control the followers through psychological and emotional tactics. Hassel gave a persuasive performance as the cult leader Abraham that sends frightening chills.
Director Belcher proficiently maintained a smooth narrative flow, which builds up the mystery and suspense using the background of a beautiful hill countryside home that provides a secluded and ironically peaceful environment. The opening theme song, “Lucy” by The Hawthorne Experience, definitely sets the vibes and tone for this dark story.


Lin Shaye is hauntingly outstanding, bringing out the duplicitous role of Beatrice. Shaye is always entertaining to watch, immersing the audience to a chilling presence. Natasha Henstridge is dynamic and powerful as Dee. Henstridge delivered a hard-hitting dramatic performance. The entire cast of performers are remarkable handling the complicated characters. This cohesive ensemble transmit a unified performance.
House of Abraham is now on video on demand through www.houseofabrahammovie.com
You can also watch interviews with Lisa Belcher, Lukas Hassel, Natasha Henstridge and Lin Shaye down below.

Movie Reviews
AFTER THE HUNT Attempts to Allure and Fire Up the Neurons
From imaginative filmmaker Luca Guadagnino and story written by Nora Garrett, After The Hunt is a psychological drama about a college philosophy professor, Alma (Julia Roberts), who is at a pivotal moment in her personal and professional life while Maggie (Ayo Edebiri), the top student, makes an accusation against the associate professor, Hank (Andrew Garfield), only for a dark secret from Alma’s own past threatens to come into the light. Meanwhile, Alma’s endearing husband Frederik (Michael Stuhlbarg) observes the tragedy from the sidelines.

Guadagnino created a convoluting film that has a slow unfolding premise with perplexing characters. The scenes are filled with sophisticated conversations about philosophical theories, that could appeal to a particular audience. There was an interesting subject about plagiarism that stirred up controversy among the faculty and students at a prestigious university. The haunting background of Alma, Maggie and Hank challenge their integrity and ethics, which is an element that barely holds an inattentive audience.


Nonetheless, After The Hunt had compelling performances from a stellar cast. Julia Roberts and Andrew Garfield were fantastic and immersed in their demanding roles. Garfield’s stage presence was intriguing; he needed to have more screen time. The same could be said about Michael Stuhlbarg, a prominent actor with immense talent that subtly fused the puzzling framework.
After The Hunt left like a 1,000 piece jigsaw puzzle of twisted plots, scoundrels, manipulation, and deception. Yet, it pairs well with a glass of wine and a gourmet dish while relaxing on a couch on a cold winter’s day.

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